Loss of innocence in the catcher

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Loss of innocence in the catcher

Salinger, who died in January ofis now poised to make a posthumous literary comeback. A probing biography released earlier this year sheds new light on the enigmatic author, whose life has been largely shrouded in mystery.

After catapulting to fame in the s, Salinger famously decided to retreat from public life. For nearly five decades, he lived as a New England recluse, closely guarding his privacy, shunning the spotlight of fame, and publishing no new material after His fans wondered whether he had given up on writing altogether.

Now we know that he never gave up; he was writing new material all the time during his long silence. As many as five new books will be published during the next few years.

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For personal reasons, Salinger stipulated that none of this work be published until after his death. By far the strangest aspect of his career is the way in which his most successful work, The Catcher in the Ryewas linked to several notorious crimes in the s: Caught up in a desperate whirl of mass media frenzy, The Catcher in the Rye — a book which is wholly unconcerned with criminal activity — came to be seen as a dangerous, malevolent work.

Rather, he had written a book which inspired people to commit crimes.

Loss of innocence in the catcher

As ridiculous as this seems, the insinuation has stuck. This is now simply part of the Salinger mystique, stubbornly attached to the legacy of his best novel.

The reality and the mystique are both explored in the biography Salinger, compiled by David Shields and Shane Salerno. A fascinating read, this volume should keep fans and critics and armchair psychologists busy for quite some time.

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We learn that his development as a writer was a painstaking process, aided in part by a creative writing class at Columbia, with only gradual acceptance from the editors at The New Yorker.

We discover that throughout much of his life he was drawn to the company of younger women, often teenage girls not yet on the cusp of adulthood. He befriended them, mentored them, and even romanced them in his own way. There are no accusations of statutory rape — he apparently waited until the girls were 18 before he seduced any of them — but still the tendency is notable.

We understand that one way he coped was to withdraw from public life, taking up the study and practice of Vedanta Buddhism, rather than pursuing further wealth and fame and adulation.

We learn that the reason he stopped publishing was to forgo the ego gratification involved. Well before it became tainted by murder, The Catcher is the Rye was viewed as a controversial classic of post-war American fiction, a quintessential portrait of adolescent angst.

Since it was first published inmillions have read it and debated its merits. School boards have tried to ban it. Moral proselytizers have attacked it. In hindsight, one struggles to understand what all the fuss was about. How could this compelling novel, filled with so much emotional insight and self-deprecating humor, ever be considered subversive or dangerous?

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No one denies it is an edgy work, conveyed in razor-sharp language. Yet compared to other books from roughly the same time period — the fever dreams of William Faulkner, the sociopolitical outrage of Richard Wright, or the ruthless amorality depicted by noir writers such as James M.

But Holden never comes close to killing anybody. He never even harms anyone. We might argue that the novel could use a bit of crime, just to liven up the action. Perhaps one of the yet-to-be-published Salinger books will be a sequel, in which Holden returns as a truly dangerous psycho.

I seriously doubt it, though.The Only Website Dedicated To Deceased Major League Players!

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As a general rule, we hesitate to write about different types of loss.

Loss of innocence in the catcher

To clarify, I am not referring to . The Theme of Innocence in The Catcher In the Rye - In many novels the title of the story is more important than most people initially think.

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The Catcher in the Rye - Wikipedia